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Landscapes with Poems (album leaf)

Gong Xian, 1688. Nanjing, China.

You are here

Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.

An album leaf of dense dark ink mountains and trees around misty white valleys, with a column of calligraphy beside the landscape.
Image: The Metropolitan Museum of Art, Open Access (CC0). Select it for the full size.

Gong Xian lived through the fall of China’s Ming dynasty and spent his later years in Nanjing, painting and teaching. His style is unlike almost anyone else’s. He built his landscapes from many layers of ink dots and washes, darkening the mountains and trees until they look heavy and rich, and then he left the mist and water almost white. That contrast makes the light seem to come from inside the paper. This leaf is from an album he made of landscapes paired with his poems, written in an energetic hand beside the scene. Here the mountains fold around a valley that seems full of quiet, as if everything in it has stopped to rest.

Look closely

  1. Find the darkest place in the picture and the lightest one.
  2. Look closely at the dots. How many layers of them can you see?
  3. Find the poem. Where is it placed?

While you sit

Dark mountains, white mist and a few lines of a poem. Let the light come up slowly from the page.

Your seat in the galleries: a bench of ink-black wood with a pale paper-colored cushion.

About the work

Title
Landscapes with Poems (album leaf)
Artist
Gong Xian
Date
1688
From
Nanjing, China
Medium
Fifteen leaves from an album (1980.516.2a–c and 1981.4.1a–o) of eighteen leaves
Size
10 3/4 x 16 1/8 in. (27.3 x 41 cm)
Rights
Public domain
Image
The Metropolitan Museum of Art, Open Access (CC0)
Record
The museum's page for this work

The words on this page were written for the campus, not taken from the museum's label.

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