The Museum · the collection
Rough Waves
Ogata Kōrin, ca. 1704–9. Kyoto, Japan.
Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.
Kōrin painted this two-panel screen with just a few things: gold, ink and a deep blue-green. Great waves rise from the lower edge, then break into crests that curl forward like grasping hands. Lines of spray and foam fly off them, drawn in fine, rhythmic strokes. There is no shore, no boat and no horizon, only the movement of the sea set against a field of gold. Kōrin was a master of design, and he turned the ocean into pattern without losing any of its power. Folding screens like this one stood in rooms, and the waves would have zigzagged as the panels did. Standing in front of it, you can almost feel the spray.
Look closely
- Follow one wave from its base up to its crest.
- Look at the fine lines on the water. Do they all go the same way?
- Find the place where the two panels meet. Does the sea care?
While you sit
No shore, no boat, only the sea. Sit at a safe distance and listen to it.
Your seat in the galleries: a deep sea-green bench with a curling end, trimmed in gold.
About the work
- Title
- Rough Waves
- Artist
- Ogata Kōrin
- Date
- ca. 1704–9
- From
- Kyoto, Japan
- Medium
- Two-panel folding screen; ink, color, and gold leaf on paper
- Size
- Image: 57 11/16 × 65 1/8 in. (146.5 × 165.4 cm)
- Rights
- Public domain
- Image
- The Metropolitan Museum of Art, Open Access (CC0)
- Record
- The museum's page for this work
The words on this page were written for the campus, not taken from the museum's label.
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