The Museum · the collection
Fur Traders Descending the Missouri
George Caleb Bingham, 1845. Missouri, United States.
Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.
Early morning on the Missouri River. A dugout canoe drifts in still water with an older trader at the stern, a young man lying across the cargo and, at the bow, a dark animal tied by a cord. People still debate whether it is a bear cub or a fox. All three look straight at us. The river is so calm that it doubles everything, and mist turns the trees behind into soft shapes. Bingham grew up on the Missouri and painted life on its rivers again and again. This painting describes a way of life that was already disappearing as he painted it, and it seems to know that. Nothing moves except the current.
Look closely
- Look at the animal at the front of the canoe. What do you think it is?
- Find each figure’s reflection in the water.
- Notice where the mist begins and the trees end.
While you sit
No paddling needed. The river is carrying all of you downstream at its own pace.
Your seat in the galleries: a hollowed walnut seat shaped like the gunwale of a canoe, tied at one end with rope.
About the work
- Title
- Fur Traders Descending the Missouri
- Artist
- George Caleb Bingham
- Date
- 1845
- From
- Missouri, United States
- Medium
- Oil on canvas
- Size
- 29 x 36 1/2 in. (73.7 x 92.7 cm)
- Rights
- Public domain
- Image
- The Metropolitan Museum of Art, Open Access (CC0)
- Record
- The museum's page for this work
The words on this page were written for the campus, not taken from the museum's label.
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