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Piazza San Marco

Canaletto (Giovanni Antonio Canal), late 1720s. Venice, Italy.

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Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.

A wide view of Piazza San Marco in Venice: long arcaded buildings lead to the domed basilica and a tall bell tower, with small figures crossing the sunlit square.
Image: The Metropolitan Museum of Art, Open Access (CC0). Select it for the full size.

Canaletto made his name painting views of Venice for visitors who wanted to take the city home with them. This is an early one, and it has more drama than his later postcards. We look down the great square toward the domes of the Basilica of San Marco, with the bell tower rising on the right. The long colonnaded buildings on either side lead the eye straight to the church. Awnings are out, shadows fall in long dark bands across the paving, and small figures cross the square in conversation or business. Some of the stonework looks freshly cleaned and some looks weathered. It is the city on an ordinary afternoon, made to last.

Look closely

  1. Follow the long buildings on each side toward the basilica.
  2. Find a pair of people talking. What might they be saying?
  3. Look at where the shadows fall. What time of day is it?

While you sit

You have arrived in a great square. Take a seat in the shade and watch people cross it.

Your seat in the galleries: a long block of pale Istrian-style marble with brass caps at the ends.

About the work

Title
Piazza San Marco
Artist
Canaletto (Giovanni Antonio Canal)
Date
late 1720s
From
Venice, Italy
Medium
Oil on canvas
Size
27 x 44 1/4 in. (68.6 x 112.4 cm)
Rights
Public domain
Image
The Metropolitan Museum of Art, Open Access (CC0)
Record
The museum's page for this work

The words on this page were written for the campus, not taken from the museum's label.

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