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View from Mount Holyoke after a Thunderstorm (The Oxbow)

Thomas Cole, 1836. Massachusetts, United States.

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Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.

A panoramic landscape from a wooded hilltop: storm clouds over dark wilderness on the left, sunlit farmland on the right, and a river curving in a wide loop between them.
Image: The Metropolitan Museum of Art, Open Access (CC0). Select it for the full size.

Cole stands us on a hilltop above the Connecticut River just as a storm moves off. On the left, the wilderness is still dark: a broken tree, wet rocks, rain sweeping across the hills. On the right, the sun has come out on a cultivated valley of fields and farms. Between them the river bends in its great loop, the oxbow. The painting has often been read as a question America was asking itself about land and how to treat it. Look closely near the bottom center and you will find the painter himself, small at his easel, turning to look back at us. He seems to be asking which way we would go.

Look closely

  1. Find the painter at his easel, a tiny figure near the bottom of the picture.
  2. Trace the line where the storm ends and the sunlight begins.
  3. Follow the river around the bend with your eye. Where does it lead?

While you sit

The storm has just passed. You are on the hilltop with the painter, and there is no hurry to go down.

Your seat in the galleries: a split ash log on two stones, with moss in the bark’s creases.

About the work

Title
View from Mount Holyoke after a Thunderstorm (The Oxbow)
Artist
Thomas Cole
Date
1836
From
Massachusetts, United States
Medium
Oil on canvas
Size
51 1/2 x 76 in. (130.8 x 193 cm)
Rights
Public domain
Image
The Metropolitan Museum of Art, Open Access (CC0)
Record
The museum's page for this work

The words on this page were written for the campus, not taken from the museum's label.

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