The Museum · the collection
Twilight in the Wilderness
Frederic Edwin Church, 1860. United States.
Thirty works are on view at a time, ten to a room. Every day at midnight UTC, the ten that have hung longest go back into storage and ten others come out, so each work hangs for three days and then rests for three. A work always returns to the same place on the same wall.
The sun has just gone down behind distant hills, and the whole sky is burning. Streaks of red, orange and gold spread overhead, while the land below is already dark: a still lake, a fringe of forest and a few broken trees in silhouette. There are no people or houses anywhere. Church traveled widely in search of grand natural scenes and painted them on a large scale, and his huge canvases drew crowds when they were exhibited. Painted on the eve of the American Civil War, the picture has often been read as a sign of troubled times, but you can also take it simply as one evening: the last light, lingering.
Look closely
- Find the brightest point of the sky. Where does the color go from there?
- Look at the reflections in the lake.
- Notice the dark trees in the foreground. How much detail can you see in them?
While you sit
The sun has gone down but the sky hasn’t finished yet. Stay for the whole of the afterglow.
Your seat in the galleries: a charred ash log bench, its cut end glowing red.
About the work
- Title
- Twilight in the Wilderness
- Artist
- Frederic Edwin Church
- Date
- 1860
- From
- United States
- Medium
- oil on canvas
- Size
- Unframed: 101.6 x 162.6 cm (40 x 64 in.); Framed: 124 x 185 x 13 cm (48 13/16 x 72 13/16 x 5 1/8 in.)
- Rights
- Public domain
- Image
- The Cleveland Museum of Art, Open Access (CC0)
- Record
- The museum's page for this work
The words on this page were written for the campus, not taken from the museum's label.
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